Poetry for people who hate poetry
Best Jewish Poetry Book of the Year - Alma
"Smart, honest, vulnerable, and really really beautiful. It feels like the book for this exact moment." - Lynn Melnick, author of Landscape with Sex and Violence
”What To Miss When is hilarious and absolutely horrifying. If you think the quarantine habits you developed are unique and charming, read this book to be put in your place. But I beg of you, gift that to yourself, it'll make you feel less alone. ‘I'm a feminist, I got the memo,’ is Stein's perfect disclaimer when shouting the things so many of us are afraid to even whisper. It's a specific kind of book that helps us remember how things were, that serves as a map for our children to understand why we are the way we are. This book is one of them.” —Olivia Gatwood, author of Life of the Party
Poems about pop culture, mortality, and the internet, written during the Coronavirus pandemic—for readers who are more likely to double-tap Instapoems than put their phone down long enough to read The Decameron.
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“Early on, the speaker says she ‘must be some basic bitch to click / ‘Decameron and Chill?’ in Town and Country,’ and we know we’re in for a ride through the pandemic that has some ‘mischief’ in it. It’s this mischief, Stein’s relentlessly refreshing humor about the ‘new normal’—equal parts rueful self-deprecation and excoriating cultural critique—that makes this book such a worthy artifact of the American experience of the pandemic.”
Catalyzed by sheltering in place and by a personal challenge to give up alcohol for thirty days, Leigh Stein, the poet laureate of The Bachelor, has written a 21st century Decameron to frame modern fables. What to Miss When makes mischief of reality TV and wellness influencers, juicy thoughtcrimes and love languages, and the mixed messages of contemporary feminism.
“Think Starlight,” the first poem in this collection, written before any self-quarantine orders, imagined the likelihood that the United States would follow in Italy’s footsteps in terms of caseload and hospital overwhelm. By March 17, 2020, the imagined was the real: New York City had closed schools, bars, and restaurants—with the rest of the country close behind.
With nihilist humor and controlled despair, What to Miss When explores fears of death and grocery shopping, stress cleaning and drinking, celebrities behaving badly, everything we took for granted, and life mediated by screens—with dissociation-via-internet, and looking for mirrors in a fourteenth-century pandemic text, a kind of survival response to living casually through catastrophe.
Photos of the What to Miss When book launch at Powerhouse Arena by Sylvie Rosokoff
INTERVIEWS WITH LEIGH
Commiserate, Vent, and Gawk Together: Leigh Stein Interviewed by Gabriel Dozal in BOMB Magazine
“Initially, you may think these poems are witty. They Are. Upon reflection, you may decide these poems are piercingly honest reflections of contemporary desires, run headlong into a plague year. They are. In the dark of a sleepless night, you may feel that these poems saw through your ironic façade and got at something deeper. They did.”
“A strikingly effective melee of the literary and the very relatable, which is a really difficult balance to nail in trying to represent the pandemic in literary form. Remarkable, skillful, and wonderful.”
“I’m obsessed with this poetry collection. It seems effortless, but it’s doing *so much*. This is the lyric as it was intended to be used: vital, urgent, pithy, granular, but at the same time, macro, historic, steeped in literary tradition but always subtly subversive.”